OUR MUSIC VIDEO

OUR MUSIC VIDEO

^OUR MUSIC VIDEO

Pilgrim Album

Pilgrim Album

OUR DIGIPAK top to bottom, left to right: inside back, inside front, back cover, front cover.

^OUR DIGIPAK top to bottom, left to right: inside back, inside front, back cover, front cover.

Click on image to view our website

Click on image to open our band website in new window

OUR WEBSITE
My name is Kayvon Nabijou (0610). My production group number is 1 and I am working with Gavin Fraser (0245), Mahalia John (0345) and Alice Cahill (0130). This blog can be navigated by using the labels list on the right hand side of the blog.

Friday, 25 October 2013

Shrek Sweded Evaluation

I worked with Gavin and Josh for this project. We planned a marketing scheme and scripted, acted in, filmed and edited our film. Alice, Mahalia and Molly also acted in our film.
Our marketing scheme consisted of a Facebook page and Twitter feed consisting of our trailer and pictures as well as Shrek trivia. We also released posters around the school and created a teaser trailer which went on YouTube a few days before the release of the film.


YouTube Trailer: 

This is our twitter page:
This is our Facebook page:

This is our poster:
I very much enjoyed this project as we had a lot of freedom in our shooting style due to the nature of Sweding and our zero budget. I also had a lot of fun working with Gavin and Josh.




Sunday, 13 October 2013

Dexter Title Sequence Evaluation

Summarise the conventions of title sequences that were most important to this task

For this task, we had to consider styling, size, colour and placement of titles to supplement the footage in the sequence and to help establish the genre and style of the TV show. They may also evoke certain reactions from the audience such as unease or comfort. The placement of the titles is not important in establishing genre but in drawing the audience's attention to certain parts of the frame in the opening sequence, keeping the audience's eyes moving through different areas of the frame, making the opening sequence more exciting.


How did our group plan to edit the title sequence? 

We started by watching the whole sequence, and then went through again slowly, finding where there was suitable space for titles that wouldn't detract but compliment the sequence. This way, the key cast and crew's names could be shown without annoying the audience.

Explain the creative decisions made by our group.

While we initially considered keeping a consistent styling on the titles throughout the sequence, we ended up having different styles on each title to try and cleverly integrate with the sequence, such as using the mosquito slap shot right at the beginning of the sequence to put a title, and have Dexter's hand slap the title just as it disappears. We used the 'frigid' effect a lot, which was like a jolt on the title, giving a slightly uneasy and surreal feel to the sequence. We used red and white titles mostly - red as it is an intense colour, matching the intensity of the sequence, as well as being the colour of blood, associating the sequence with crime. The font was relatively simple so as not to detract from the overall sequence.
How does our re-edit compare to the original?

The original titles are much simpler - slightly textured red font, simple font and little or no movement in titles. Our titles contained movement, effects and often more textured colours - however not always clearly establishing the genre and style of the opening sequence and the show as a whole.
Sweded Films

A sweded film is a shortened, low-budget summary of a popular blockbuster film, filmed using a camcorder. They have no special effects and often homemade props and costumes are used, relying on the audience's imagination to recreate the scene.


The site Swededfilms.com, which serves as a database for sweded movies, was registered on the 23rd February, the day after the film 'Be Kind, Rewind' premiered - the film from which sweded films originates. On February 24th, the sweded film blog 'Sweded Cinema' was launched and included rules for creating sweded films:



1. Must be based on an already produced film
2. Range 2-8 minutes in length
3. Must not contain computer generated graphics
4. Based on films less than 35 years old
5. Special effects must be limited to camera tricks and arts ’n crafts
6. Sound effects created by human means
7. Hilarious

Examples of sweded films






For our own sweded film, I thought Shrek could be a good idea to swede as it has a lot of comedy potential due to the non-human characters and their voices, as well as the fact that it is a well known film and so the audience will recognise possibly quite obscurely reproduced scenes.

Sunday, 6 October 2013

Prelim Evaluation



The brief of our prelim task was to film and edit a character opening a door, crossing a room, sitting in a chair and exchanging lines of dialogue with another character, whilst demonstrating understanding of match on action, shot-reverse shots and the 180-degree rule.


Who did I work with and how did we manage the task between us?

I worked with Alice and Shani and during planning we all played an equal part in decisions on genre, plot and shot ideas. During filming, me and Shani acted and Alice was on the camera as well as sound in shots when both me and Shani were in frame. If we experienced a practicality issue that was unforeseeable during planning, we'd jointly make a decision on what to do next. During editing, we edited 3 shots each but made group decisions on cutting points for each shot. Whilst me and Alice were more confident on editing, Shani was much more confident than myself at acting.


How did we plan your sequence? What processes/theories did we use/take in to account?

We first chose our genre as a spy thriller, and decided to have a 'Bond-like' take on the sequence. We first decided what shots we wanted to include by trying to use a range of shots in our sequence and demonstrate understanding of continuity theory. We then tried adding a script to the sequence, which proved difficult - in hindsight, I would have written the script first before shot planning. We tried to establish narrative understanding through the dialogue and iconography conventions such as Shani holding a small dog (often a cat in spy films, such as Austin Powers), which was somewhat effective but we found it hard to provide background knowledge of the situation.


What technology did we use to complete the task, and how did we use it?

We used a  to film our footage, as well as a standard tripod to hold the camera. We then downloaded the footage into premiere pro to edit our sequence. We used bins to hold and organise our footage, the source monitor to view different shots and choose in and out points to cut, and the timeline to drop our edited shots in. We used a two-track system, meaning each video and audio clip were on alternating tracks, making it easier to see where a shot starts or ends. We also changed some of the sound levels to make my voice slightly louder so that it was at the same volume as Shani's.


What factors did we take in to account when planning, shooting 
and editing?

While planning, we had to make decisions on setting, actors, props and shot types. We had to make quick decisions as we only had an hour to plan. We shot in the media block as we would definitely have permission and there was no chance of anyone ruining shots. We organised who was to bring in which props and costumes. We had very little time when shooting so we quickly got through them (although still overrunning a bit at the end), trying to abide by the 180-degree and 30-degree rules, which we managed to follow, except for the last shot in which we broke the 180-degree rule. While editing, our biggest issue was that one of our shots had Shani without glasses on when she was meant to be wearing them, meaning we had to quite drastically change our shot order and use a short smirk from the end of another shot of Shani to fill a gap between two shots of me walking. We also had to make sure the match on action fitted smoothly and there were no jump cuts.


How successful was our sequence? What would we do differently?

Overall our sequence was successful in meeting the demands of the brief, as it had a character opening a door, walking through the room and (somewhat) sitting down, as well as dialogue between the two characters. Our main issue was forgetting to put a chair in the place I would be sitting, and with it looking awkward having me sit on the table, we had to improvise slightly. In hindsight, I would block out the whole sequence at once, looking for continuity issues that may arise and planning the whole set before shooting. 


What have I learnt from this task? How will this learning be significant when completing the rest of my coursework?

I have learned how difficult it is to get the continuity of a sequence perfect and to add to the suspension of disbelief. I have also learned the main points in continuity theory, such as match on action, the 180-degree rule and the 30-degree rule. When completing my real coursework task, I can incorporate this theory with my knowledge of genre and narrative theory to create a comprehensible and entertaining sequence. I have also learned of the importance of planning all shots before the shooting slot starts, as we overran time-wise on our shooting due to indecision on shots on the day. 


Thursday, 3 October 2013


Art of the Title Grid Activity


This is the opening of our film titled 'The List', which is about a psychopath who has a list of people he is trying to kill. In the opening, he drags a dead body into his workroom and uses a saw to saw her up, before crossing her name off a list on a whiteboard.

The face of the psychopath is not revealed, apart from in the 7th shot, although he is wearing a mask so it is hard to make out what he looks like. The final shot of the list indicates the main plot of the film as this is the first name crossed off the list, suggesting he is going to try  and kill the rest.

The titles are white, which link to the night-vision effect on the camera in the opening. The titles are also simple but slightly blurry, identifying the film as mysterious and creepy, as well as the shots identifying the film as a horror.

The audience are expected to want to understand the enigmas set up in the opening, such as who the psychopath is and why he has a list of people he is trying to kill and cut up. They should also have identified the genre as a horror due to the use of props such as the saw, as well as the night-vision camera styling and the extreme high and low angles, creating a unsettling and disorienting feeling in the audience.

As a whole, the grid is successful as it sets up the plot of the film by the final shot of the list but doesn't give away too much plot detail by showing the psychopath's motives or any other main characters. The use of different shot types also keeps the audience interested in the action. In hindsight, we could have included a better insight in the character of the psychopath through use of shots including some of his personal items or a better establishment of the setting.